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| Takon |
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| Andrew’s early composition at a tender age. Titled after his Chinese name, this piece reflects his Asian heritage combined with a western instrument. |
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| Prophecy |
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| Overture |
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| Act I |
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| A recent collaboration with violinist/composer and good friend Alex Cheung, the composition is written for a fantasy children’s book project in the image of Andrew’s brother, Edward, whose character is a gifted painter who often flies into the clouds at night and brushes his artistic imagination onto the skies. |
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| Hindemith: Harp Sonata |
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| Mässig schnell |
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| Lied. Sehr langsam |
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| A masterpiece in the classical harp concert repertoire; Andrew dedicates it to his dear harp teacher, Elizabeth Volpé. |
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| Angel's Hymn |
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| This song was performed for Andrew's sister, Shelly, at her beautiful wedding in Vancouver. It is a piece which she used to ask him to play for her over and over... |
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| Bach/Gounod: Ave Maria |
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| Andrew with Soprano Sara Quist, with fond memories of busking at Granville Island, Vancouver. |
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| Corelli: Sarabande |
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| Andrew's baroque favourite. A piece that brings him much serenity. |
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| Grace Williams: Hiraeth |
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| A meaningful piece to Andrew, especially after he first moved to Toronto and was feeling “Hiraeth”; a Welsh word for ‘homesick.’ |
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| That Back Alley |
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| Free improvisation by Andrew Chan on Musical Saw and Piano, and Rod Campbell on Trumpet. Special thanks to Giorgio Magnanensi from Improv Lab, who opened Andrew's eyes and challenged him to the meaning of music. |
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